Literatura
AMÉLLINA, Anna et al. (ur.). 2012. Beyond Methodological Nationalism: Research Methodologies in CrossBorder Studies. London: Routledge.
ANDREE ZAIMOVIĆ, Vesna. 2001. Musical Weekends for Bosnian Refugee Children in Slovenia. European Meetings in Ethnomusicology 8.
ARAÚJO, Samuel et al. 2006. Conflict and Violence as Theoretical Tools in Present-Day Ethnomusicology: Notes on a Dialogic Ethnography of Sound Practices in Rio de Janeiro. Ethnomusicology 50/2.
ARAÚJO, Samuel. 2008. From Neutrality to Praxis: The Shifting Politics of Ethnomusicology in the Contemporary World. Muzikološki zbornik 44/1.
BARZ, Gregory in Timothy Cooley (ur.). 2008. Shadows in the Field: New Perspectives for Fieldwork in Ethnomusicology. Oxford: Oxford University Press.
BEZIĆ, Jerko (ur.). 1986. Glazbeno stvaralastvo narodnosti (narodnih manjina) i etničkih grupa: zbornik radova sa znanstvenog skupa u povodu Evropske godine glazbe 1985, Zagreb, 22–24. srpnja 1985. Zagreb: Institute of Folk Art.
BILLIG, Michael. 1995. Banal nationalism. Thousand Oaks, CA: Sage Publications.
BLAUKOPF, Kurt. 1982. Musik im Wandel der Gesellschaft. Grundzüge der Musiksoziologie.
München: Piper.
BOER, Diana et al. (2011). How Shared Preferences in Music Create Bonds Between People: Values as the Missing Link. Personality and Social Psychology Bulletin 37. doi: 10.1177/0146167211407521.
BOHLMAN, Philip V. 2002. Landscape—Region—Nation—Reich: German Folk Song in The Nexus of National Identity. V: Applegate, Celia et al. (ur.). Music and German National Identity. Chicago/London: University of Chicago Press.
BOHLMAN, Philip V. 2004. The Music of European Nationalism. Santa Barbara: ABC CLIO.
BOHLMAN, Philip, Gila Flam. 1984. Central European Jews in Israel: The Reurbanization of Musical Life in an Immigrant Culture. Yearbook for Traditional Music 16.
CERIBAŠIĆ, Naila in Erica Haskell (ur.). 2006. Shared Musics and Minority Identities: Papers from the Meeting of the ‘Music and Minorities’ Study Group of the ICTM, Roč, Croatia, 2004. Zagreb: Institute of Technology and Folklore Research; Roč: Cultural Artistic Society ‘Istarski željezničar’.
CIUBRINSKAS, Vytis. 2000. Revival of Tradition for Reconstruction of Identity: Lithuanian Case. Folk 40.
CLAUSEN, Bernd et al. (ur.). 2009. Music in Motion: Diversity in Dialogue in Europe. Bielefeld: European Music Council, Transcript Verlag.
COPLAN, David. 1982. The Urbanization od African Music: Some Theoretical Observations. Popular Music 2.
CVETKO, Dragotin, 1991. Slovenska glasba v evropskem prostoru. Ljubljana: Slovenska matica..
DANIELSON, Virginia. 1997. Sel Consciousness: An Alternative Antropology of Identity. London: Routledge.
DIAMOND, Beverly, Pirkko Moisala (ur.). 2000. Music and Gender. Illinois: University of Illinois Press.
DRNOVŠEK, Marjan. 2001. Trebše Štolfa, Milica (ur.). Izseljevanje Slovencev v Severno Ameriko.Slovensko izseljenstvo: zbornik ob 50 letnici Slovenske izseljenske matice. Ljubljana: Združenje Slovenska izseljenska matica.
ERLMANN, Veit. 1990. Migration and Performance: Zulu Migrant Workers’ Isicathamiya Performance in South Africa, 1890-1950. Ethnomusicology 34/2.
FOLKESTAD, Göran. 2002. National Identity and Music. V: MacDonald, Raymond et al. (ur.). Musical Identities. New York: Oxford University Press.
GARCIA, Desirée. 2014. The Migration Of Musical Film: From Ethnic Margins To American Mainstream. New Brunswick: Rutgers University Press.
GERŽINIČ, Alojzij. 1998. Četrt stoletja glasbene dejavnosti v Argentini v sklopu SKA (I. del). Meddobje 32.
GREENE, Victor. 1992. A Passion for Polka: Old Time Ethnic Music in America. Berkeley, Los
Angeles, Oxford: University of California Press.
HALL, Stuart. 2000. Who Needs 'Identity'? V: Hall, Stuart in Paul du Guy. Question of Cultural Identity. London, Thousand Oaks; New Delhi: Sage.
HARRISON, Klisala. 2012. Epistemologies of Applied Ethnomusicology. Ethnomusicology 56/3.
HARRISON, Klisala, Elizabeth Mackinlay, Svanibor Pettan (ur.). 2010. Applied Ethnomusicology: Hostorical and Contemporary Approaches. Newcastle: Cambridge Scholars.
HEMETEK, Ursula. 1996. Echo der Vielfalt: Traditionelle Musik von Minderheiten/etnischen Gruppen. Wien, Köln, Weimar: Bohlhaus Verlag..
HEMETEK, Ursula et al. (ur.). 2004. Manifold Identities: Studies of Music and Minorities. London: Cambridge Scholars Press.
HEMETEK, Ursula (ur.). 2012. Music and Minorities in Ethnomusicology: Challenges and Discourses from Three Continents. Wien: Institut für Volksmusikforschung und Ethnomusikologie.
HEMETEK, Ursula et al. (ur.). 2014. Music and Minorities Around the World: Research,
Documentation and Interdisciplinary study. Newcastle upon Tyne: Cambridge Scholars Publishing.
ILARI, Beatriz. 2006. Music and Identity of Brazilian Dekasegi Children and Adults Living in Japan. V: Baroni, Mario et al. (ur.). Proceedings of the 9th International Conference on Music Perception & Cognition, Bologna/Italy, http://www.marcocosta.it/icmpc 2006/pdfs/129.pdf.
JOVIĆ, Dejan. 2015. Fear of Becoming Minority as a Motivator of Conflict in the Former Yugoslavia. Balkanologie V/1–2, http://balkanologie.revues.org/674.
JURKOVA, Zuzana in Lee Bidgood (ur.). 2009. Voices of the Weak. Prague: NGO Slovo 21.
KEIL, Charles et al. 1992. Polka happiness. Philadelphia: Temple University Press.
KOMAVEC, Maša. 2001. Researching Folk Music of Slovene Minorities Outside of Slovenia. V: Pettan, Svanibor et al. (ur.). Glasba in manjšine: zbornik referatov 1. mednarodnega sveta za tradicijsko glasbo (ICTM) Glasba in manjšine, Ljubljana, Slovenija, 25.–30. junij 2000.
KOVAČIČ, Mojca. 2015. V deželi harmonike – nacionalizacija harmonike v slovenskem kontekstu. V: Jernej Mlekuž (ur.). Venček domačih: predmeti, Slovencem sveti. Ljubljana: Založba ZRC.
KOZOROG, Miha in Alenka Bartulović. 2015. The Sevdalinka in Exile, Revisited: Young Bosnian Refugees Music Making in Ljubljana in the 1990s (a Note on Applied Ethnomusicology). Narodna umjetnost 52/1.
KRÜGER S, Trandafoiu R, Taylor T. 2014. The Globalization of Musics in Transit: Music Migration and Tourism [monograph on the Internet]. New York: Routledge.
KUNEJ, Drago. 2014. Zvočno gradivo gramofonskih plošč kot vir etnomuzikoloških in folklorističnih raziskav. Traditiones 43/2.
LARKEY, Edward. 2002. Postwar German Popular Music: Americanization, the Cold War, and the PostNazi Heimat. V: Applegate, Celia et al. (ur.). Music and German National Identity. Chicago, London: University of Chicago Press.
LAUŠEVIĆ, Mirjana. 2008. Balkan Fascination: Creating an Alternative Music Culture in America. New York: Oxford University Press.
LEARY, James P. 1998. Polka Music in a Polka State. V: James P. Leary (ur.). Wisconsin Folklore. Madison: University Wisconsin Press.
LUHMANN, Niklas.1997. Die Geselschaft der Geselschaft. Frankfurt am Main: Suhrkamp.
MARTINEZ, Iveris Luz. 2002. Danzas Nacionalistas: The Representation of History through Folkloric Dance in Venezuela. Critique of Anthropology 22.
MARTY, Maša. 2015. Glasba gre na pot: pomen in vloga glasbe v izseljenstvu. Dve domovini 41.
MCCANN, Bryan. 2004. Hello, hello Brazil. Durham: Duke University Press.
McDONALD, David A. 2015. My Voice is My Weapon: Music, Nationalism, and the Poetics of Palestinian Resistance. Notes: Quarterly Journal Of The Music Library Association 72.1.
PETTAN, Svanibor et al. (ur). 2001. Glasba in manjšine/Music and Minorities. Ljubljana: Založba ZRC.
PETTAN, Svanibor. 2009. Europe and the Potentials of Music in Motion. V: Clausen, Bernd et al. (ur.). Music in Motion: Diversity in Dialogue in Europe. Bielefeld: European Music Council, Transcript Verlag.
PETTAN, Svanibor. 2010. Music in War, Music for Peace: Experience in Applied Ethnomusicology. John Morgan O’Connell, Salwa El-Shawan Castelo-Branco (ur.), Music and Conflict. Urbana: University of Illionpis.
PETTAN, Svanibor in Jeff Todd Titon (ur.). 2015. Oxford Handbook of Applied Ethnomusicology. Oxford: Oxford University Press.
PISTRICK, Eckehard. 2015. Performing Nostalgia: Migration Culture And Creativity In South Albania. Farnham: Ashgate.
PODLESNIK TOMÁŠIKOVÁ, Lidija. 2014. Jose Osana (1919–1996) – Life and Work. Muzikološki zbornik 50.
REYES, Adelaida. 1999. Songs of the Caged, Songs of the Free. Philadelphia: Temple University Press.
REYES-SHRAMM, Adelaide in Ursula Hemetek (ur.). 2007. Cultural Diversity in the Urban Area:Explorations in Urban Ethnomusicology. Wiena: Institute of Folk Music Research and
Ethnomusicology.
REYES, Adelaida. 2014. Identity Construction In The Context Of Migration. V: Il Saggiatore Musicale: Rivista Semestrale Di Musicologia 21.1.
RICE, Timothy. 1996. May it Fill your Soul. Experiencing Bulgarian Music. Chicago, London: The Univesity of Chicago Press.
RICE, Timothy. 2003. Time, Place, and Metaphor in Musical Experience and Ethnography.
Ethnomusicology 47/2.
SCHIPPERS, Huib. 2009. Attitudes, Approaches, and Actions. Learning and Teaching the Musics of Minorities in Europe. V: Clausen, Bernd et al. (ur.). Music in Motion: Diversity in Dialogue in Europe. Bielefeld: European Music Council, Transcript Verlag.
SEEGER, 2008. Theories Forged in the Crucible of Action: The Joys, Dangers, and Potentials of Tradition. V: Barz, Gregory F et al. (ur.). Shadows in the Field: New Perspectives for Filedwork in Etnomusicology. New York: Cambridge University Press.
SKYLLSTAD, Kjell. 1993. The Resonant Community: Fostering Interracial Understanding through Music. Oslo: University of Oslo.
SLOBIN, Mark. 1994. Diaspora. North York (Ont.). University of Toronto Press.
SLOBIN, Mark. 2003. The Destiny of “Diaspora” in Ethnomusicology. The Cultural Study of Music. New York: Routledge.
STATELOVA, Rosemary et al. (ur.). 2008. The Human World and Musical Diversity. Sofia: Institute of Art Studies – Bulgarian Academy of Science.
STOCK, Jonathan P. J. 1996. Musical Narrative, Ideology, and the Life of Abing. Etnomusicology 40/1.
STOCK, Jonathan P. J. 2001. Toward an Ethnomusicology of the Individual, or Biographical Writing Ethnomusicology. The Eord of Music 43/1.
STOCK, Jonathan P. J. (ur.). 2008. Accordion Culture. World of Music 50/3.
STOKES, Martin. 1994. Ethnicity, Identity, and Music: The Musical Construction of Place. Oxford: Berg.
STEFANIJA, Leon. 2001. The Notion of Minority in 20 Century Slovene Art Music. V: Glasba in manjšine: zbornik referatov 1. mednarodnega sveta za tradicijsko glasbo (ICTM) Glasba in
manjšine, Ljubljana, Slovenija, 25.–30. junij 2000.
STEFANIJA, Leon. 2010. Leveling National Identities: The Case of Sloevnian Music. Collection d'Etudes Musicologiques 98.
STEFANIJA, Leon. 2014. Vinko Globokar: A Nonmusical Poetics of Music. Ars academica 1/2.
STRAJNAR, Julijan. 1982. Izseljenstvo – osebne izkušnje in opažanja. Glasnik Slovenskega etnološkega društva.
ŠTRUS, Andrej et al. (ur.). 2010. II. konferenca slovenskih glasbenikov iz sveta in Slovenije, Slovenj Gradec in Pliberg, 9.–10. september 2010, Zbornik. Ljubljana: Svetovni slovenski kongres.
TITON, Jeff. 1992. Music, the Public Interest, and the PractIce of Ethnomusicology. Ethnomusicology 36/3.
TITON, Jeff T. 1997. Knowing Fieldwork. V: Gregory F. Barz in Timothy J. Cooley (ur.). Shadows in the Field: New Perspectives for Fieldwork in Ethnomusicology. New York and Oxford: Oxford University Press.
TSCHERNOKSHEWA, Elka in Udo MIschek (ur.). 2009. Beziehungsgeflecht Minderheit. Zum Paradigmenwechsel in der Kulturforschung/Ethologie Europas. WaxmannVerlag: Münster, New York, München, Berlin.
TSCHERNOKSHEWA, Elka. 2012. Discourse Analysis of Music and Otherness. The Case of the Serbs in Germany. V: Ursula Hemetek (ur.). Music and Minorities in Ethnomusicology: Challenges and Discourses from Three Continents. Wien: Institut für Volksmusikforschung und Ethnomusikologie.
TURINO, Thomas. 1984. The Urban_Mestizo Charango Tradition in Southern Peru: A Statement of Shifting Identity. Ethnomusicology 28/2.
TURINO, Thomas. 1988. The Nusic of Andean Migrants in Lima, Peru: Demographics, Social Power, and Style. Latine American Music Review 9/2.
TURINO, Thomas. 2008. Music as Social Life: The Politics of Participation. Chicago, London: The University of Chicago Press.
WEISS, Jernej. 2008. Emerik Beran: Samotni svetovljan. Maribor: Litera.
WEISS, Jernej. 2010. Hans Gerstner: Življenje za glasbo, Maribor: Litera in Pedagoška fakulteta.
WEISS, Jernej. 2012. Češki glasbeniki v 19. in na začetku 20. stoletja. Maribor: Litera, Pedagoška fakulteta.
ŽAGAR, Mitja. 2014. Definiranje narodne manjšine v pravu in znanosti nasploh: nekaj prispevkov k razmišljanju o opredeljevanju in definicijah manjšin in narodnih manjšin. V: Kržišnik Bukić, Vera et al. (ur.). Zgodovinski, politološki, pravni in kulturološki okvir za definicijo narodne manjšine v Republiki Sloveniji. Ljubljana: Inštitut za narodnostna vprašanja.
ŽITNIK SERAFIN, Janja (ur.). 2014. Slovenian Immigration and Society Activities Across the Former Yugoslavia: Historical Overview and the Present. Ljubljana: Založba ZRC, ZRC SAZU.
WONISCH, Regina. 2014. Das Fremde Im Eigenen: Historische Und Gegenwärtige Perspektiven Auf Migrationsbewegungen. V: Jahrbuch Des Österreichischen Volksliedwerkes 63.